I first saw this one over Christmas and many of you will have already watched it, but I wanted to dissect it a little more and work out its secrets. If you haven’t seen it yet, take the time to watch it through. It’s a short documentary portrait of Scott Schuman, an unassuming sort of guy living in New York. Except for the fact he created and runs one of the most famous blogs on the net.
Directed by Tyler Manson/Visibly Smart Films it’s actually a commission from Intel (you know, the core processor guys) as part of their Visual Life campaign. Like the successful Honda’s Live Every Litre campaign of last year, its success is partly down to the fact the sponsor message takes a back seat to the story.
It’s a good example of a new, but growing, genre in video portraiture, rubbing shoulders with concepts like California Is A Place, Last Minutes With Oden; and portraits of Toni Lebusque and The Mast Brothers. Its secret is in its simplicity: a single interview with a fascinating character which creates the spine of the narrative, weaved in with captured moments, evocative music and gorgeous sequences captured in a cinematic style.
So what do we like about it?
It starts with a classic film convention: someone walking somewhere. We don’t know who they are, or where they’re going, and for that reason we keep watching. The camera does a good job of keeping The Satorialist steady and in focus, and slowing the footage down adds elegance and gravitas to our heroes journey.
Films like these are made up of (I think) a few key elements, which I teach to my own video journalism students at Kingston University:
- and a final category of ‘visual flair’ .
The interview in The Sartorialist drives the narrative, and when we do actually see as well as hear the interview, Manson hasn’t been afraid to let Schuman’s face fill the screen. He knows this will be viewed online, on a small screen, and isn’t afraid to cut off the top and bottom of his subject’s head in order that we really see The Sartorialist’s features. He’s clearly positioned near a large window or soft light, and shallow depth-of-field focuses our eyes on his.
The easy trap is to shoot and cut a quick interview (the easy part) and then ‘float’ some footage over it at appropriate places – or to cover the edits. As well as ignoring the visual part of visual storytelling, it’s also extremely boring.
That’s why scenes and sequences are important.
A scene is a bit of reality caught on screen; for those taught in the traditional broadcast way, I’m talking about ‘actuality’; on a documentary project at The Southbank Centre last year, David Dunkley-Gyimah used to talk to me about ‘capturing moments’. The Sartorialist is brought to life through these captured moments – where we see a bit of reality unfold, unhindered, before our eyes. For example at around 02’30 into this film, we watch as Schuman spies two women at a junction, and approaches them to take a photograph.
Seeing this action unfold before our eyes shows us how he gets his shots…far more effective than interview where Schuman tells us how he does it.
Before you choose a story to tell this way – or in anyway visually with video – you should be sure these moments happen and that you’ll be able to capture them. If you’re making a film about a cyclist, then you must show us footage of them cycling no excuses. If you’re making a film about a doctor carrying out life saving surgery in Tanzania, then we’d better see it on screen. If, for whatever reason, you don’t think you can get scenes, then ditch the project. Perhaps it’s a story best told in words, audio or stills rather than video.
Finally, sequences are the bread and butter of any good video storytelling. Certainly a convention in television and cinema, I still think they are vital for online video storytelling too. A sequence of shots showing one continuous action brings us into the film and in Vin Ray’s words ‘heightens the viewers’ involvement’ in the story.
Here, Manson devises an aesthetically pleasing sequence of The Sartorialist going to get his hair cut before hitting the streets of New York. My guess is this is something Schuman does regularly, and in presenting this sequence the film makers are showing us this truth, without telling us.
On top of this, there is a palette of other treatments open to filmmakers, including things like montages or straight GVs, which can be used at will. But I think without and interview, scene and sequences, a film has little to it. But as The Sartorialist shows, these three elements, as well as a compelling character and a great journey are pretty much all you need to for your online video to get viewed thousands of times.
Video .fu is a a growing collection of great factual online video – click here to subscribe and recommend films!
If you’re interested in online video – how to do it, what’s being written about it and the like – then there’s a new newsletter you should get your name on.
I’ve just published the first monthly update from my production company studio .fu. It’s called, predictably, mail.fu and as well as updating clients and partners about what I’ve been up to each month, it also will include tips on improving online video and examples of the best stuff out there.
Here’s a sneak peak at what’s in January’s newsletter:
But if you want to receive February’s update straight into your inbox click here to subscribe.
A quick post today, sandwiched in between some pretty hefty ones. Here’s five quick ways to make sure you don’t miss a trick with the Future of News.
.01 subscribe to this blog – just put your email address in the box to the right of this page for more ideas and advice on online video & enterprise.
.02 join the Future of News Group on Facebook – click here: more than 250 people have already joined!
.03 follow me on Twitter – I’m @AdamWestbrook
.04 read this post – and stick the recommended blogs into your Google Reader
.05 if you’re on Vimeo, subscribe to the video .fu channel, a growing collection of the best online video in the world
Sit back, relax, and let the future of journalism come to you!
One of the best reads ahead of the New Year was JWT’s Intelligence Report into the big trends of 2011. Analysts named 100 things which are likely to be of note in the 12 months ahead.
Unlike my predictions for 2011, they’re not written with journalists in mind – however, there are little nuggets of intelligence of use to the Next Generation Journalist.
You can read all 100 of the agency’s predictions after the break, but first I have picked out 12 key ones for multimedia content creators of all kinds to be aware of.
#02 Africa’s middle class
From South Africa to Ghana, the intelligence report says Africa’s growing middle class will be significant in 2011: “McKinsey predicts a 35% increase in African consumer spending power by 2015.”
Takeaway: This means countless stories that are ripe to be told. From the ambitious modernisation of Kigali, to broadband reaching the east coast; if foreign news is your bag, you’ll find plenty of ideas around this mega-story.
#19 Coming clean with green
There’s no hiding the fact 2010 was a pretty atrocious year for climate change. Protesters were jailed, Copenhagen was a washout, and the earth got more unpleasant reminders that things are changing than we care to remember. JWT’s intelligence predicts that consumer green will be big in 2011.
Takeaway: what information is there for consumers who want to go green? Not much, and the stuff that is, is wrapped in preachy-guilt hyperbole; I think there’s a gap in the market. If you’re interested in environmental reporting, this might be the year to make it happen.
#29 East London’s Tech City
JWT analysts predict development in East London in the run up to the Olympics. The UK’s startup community is coming to life, and it’s growing around the ‘silicon roundabout’ (or Old Street tube station, if you know the area).
Takeaway: This is the year to have confidence in British startups, and if you care to, to meet and join the innovative people and businesses making stuff happen there. For example, the TechHub has recently opened for business, a shared work space for startups right on the Silicon Roundabout.
#32 Entrepreneurial Journalism
Yes, great news for anyone starting their own news business in 2011, or anyone thinking about it. The report predicts “the next generation of journalists will apply more hybrid skills in entrepreneurial ways…[watch out for] more professionals with varied skill sets who help transform content for the digital age.”
I’m firmly in support of this one, and as well as launching my own business, studio .fu, I am also carrying out in-depth research into Entrepreneurial Journalism in my role at Kingston University this year.
Takeaway: if you’ve got an idea for a news business, this is the year to do it! Aim to be one the pioneers who transform content. If you’re still a student at a UK university, you can get a £1,000 leg-up with the myNewsBiz competition.
#47 Long form content
Yet another journalistically relevant prediction for the year ahead. JWT analysts reckon “the novelty of long-form content will stand out” with sites like LongReads and Longform.org will find an audience this year.
Takeaway: if you’re a fan of creating and consuming long-form content, this is the year to start creating it prolifically. Seek it out as much as you write it – share it, and build the eyeballs. The experts believe the desire to read it is there!
#52 Mobile blogging
Yep, forget all these long WordPress posts. Blogging on the move is going to be big this year. The report says “mo-blogging” is going to spike, with photo intense posts via Tumblr and Posterous.
Takeaway: Journalism is still looking for ways to exploit geo-located content; how can you as an individual or your newsroom use mo-bloggers to your advantage? Could you turn your reporters into mo-bloggers?
#59 Next Generation Documentarians
The report says “access to cheap video cameras and software is fuelling an expansion in video storytelling and stylistic experimentation from a new generation of film-makers”. Storytelling is a big thing these days – do you know the basics of how it’s done?
Takeaway: Even non-journalists are picking up a camera and telling great stories. Stop worrying about how you’ll get funding: start making stories now, as cheap as possible: your idea has more strength as a physical film than as a pitch on paper.
#63 Odyssey Trackers
Sticking with the ge0graphical theme, social media and GPS are combining, says the report, to allow “extreme explorers [to] broadcast their adventures in real time”. It cites EpicTracker, an app in development, as an example.
Takeaway: A clear opportunity if you’re a travel journalist or foreign correspondent. At the same time, it’s an example of great stories, great films and documentaries being taken from the open hands of journalists, by people who are prepared to get off their backside and make stuff happen. If you’re into travel journalism, this is a trend to exploit.
#75 Scanning everything
So augmented reality wasn’t quite the big thing I predicted last year but the analysts think QR-codes will have a part to play in 2011. They’re the square barcodes which send a device to a website or other location.
Takeaway: nice simple one here: create your own QR code here, and put it on your next pack of business cards, like I’ve done above.
#83 Storied products
“Consumers are increasingly looking for a personal connection to brands” the report says. Interesting for journalists in two ways: one- if you’re going entrepreneurial, get your story right (InnovativeInteractivity has some great advice on this here); two- story-telling is becoming more and more important.
Takeaway: Businesses need stories. Who’s good at telling stories? Yes, you guessed it. Helping small businesses, startups, charities and the like ‘tell their story’ could be a profitable sidearm to your journalism in 2011.
#93 Transmedia producers
The job-title ‘transmedia producer’ will be created in 2011, JWT analysts predict; more people (including journalists) will be expected to produce content across a range of platforms: in video, text, audio and interactives.
Takeaway: although multimedia producing is not news for journalists, if you’re still a one-platform guy or gal, make it your business to learn a new skill this year.
#100 Youtube the Broadcaster
The JWT report predicts Youtube will become a ‘broadcasting’ platform in its own right, with more live streaming and television-style coverage. Concerning for those of us who don’t want online video to turn into yet more bland television, but of use to journalists none-the-less.
Takeaway: think of Youtube as a channel more than a landfill for online video. Look at users like Fred (606 million views and counting!) who build massive audiences, not around individual videos, but around branded channels. Is there a channel for your expertise that needs building?
Those 100 predictions in full
Many of the other predictions have significance for journalists – as story ideas as well as clues and inspiration for big innovation. Here’s the report in full.
I’ve got a really good feeling about 2011: online video is going to be huge.
This last year’s been ramping up to that realisation. In the past few months I’ve been approached by journalists, online magazines, charities, corporations and even individuals seeing the enormous potential of online video and wanting to commission films, consulting or training.
Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you’re a director. Everything after that you’re just negotiating your budget and your fee.
The real heroes are the people out there already making video. They’re not asking if it’ll make money before picking up their camera.They’re just getting off their arse and creating content. The online videos heroes I’ve chosen have done more than made a pretty film: they’ve used online video in a new way, for journalism, art or even business.
The list is pretty arbitrary though: if you know other, better online video heroes, add them to the list via the comments!
my online video heroes of 2010
1. Phos Pictures
Heading up the list is a group of three young American filmmakers who are showing the rest of us how online documentary ought to be done. They blew me away back in March with Last Minutes With Oden a short about one man and his dog, a piece so good, it was recognised as Vimeo’s documentary of the year. It’s clocked up 1.3million page views at last count. They followed it quickly with Pennies HEART and most recently with The KINGDOM.
I interviewed filmmaker Lukas Korver about the production of their films for blog.fu earlier this year – check it out here.
Coming in from a different line is the UK enterprise Yoodoo.biz, founded by Nick Saalfield and Tony Heywood. I met them both when I invited them to speak at the UK Future of News Meetup back in the spring.
Yoodoo is an online training course for entrepreneurs and new businesses. It is content which could be delivered through text and pictures. Any other producers would probably do just that. But Nick and Tony saw the potential of online video earlier than many, and the free course is delivered through short video interviews.
Disclaimer: I write occasionally for Yoodoo.
3. Food Curated
“What you need to know about me is pretty simple. I love food. And I love telling a good story.“
That’s how Liza Mosquito de Guia describes the founding of Food Curated: an online video blog all about food. Throughout the year Liza’s been out shooting and editing (she’s a one-man-band) short films in all sorts of food establishments.
Each film is unique and she does a good job of keeping herself out of it, and letting the subjects tell their own story. Her site was nominated for a James Beard Award this year, for best Video Webcast.
4. The Scout
If there’s one thing American new media producers can do better than European ones (in this reporter’s humble opinion) it is designing online magazines that look insanely stylish. Dwell, for example, has an elegant aesthetic which outclasses the Darth Vader-esque front page of Britain’s Monocle.
Another stylish number is The Scout, a food culture and design blogazine from the US. They’re on this list for commissioning several short films about inspiring creatives which leave you drooling. They’re the work of director Brennan Stasiewicz who I interviewed back in the summer. His piece on eccentric chocolatiers the Mast Brothers has been shared very widely, but his film on architects Roman and Williams is also superb.
Yes, it pains me too. But one of this years online video heroes has to be Honda, for their surprising Live Every Litre campaign.
They hired top director Claudio Von Planta to tell a series of powerful short stories, on the premise of a journey taken while driving a Honda Civic. The vehicles and any Honda promotion takes a back seat to the stories however, which is what makes this campaign quite unique in 2010. In particular, check out this short about a D-Day veteran and his daughter which gives many history documentaries a run for their money.
Many of the best online video of the year wouldn’t be possible without Vimeo, the classier alternative to Youtube. But that’s not why they’re on the list. The video sharing site was a late entry, with the release, just last week, of their online video school.
It’s something they’ve been working on all year, according to the site’s blog, and it’s a comprehensive, stylish and fun introduction to shooting video. They even brought in Philip Bloom to teach us how to use our DLSR cameras properly. Again, some training Vimeo could have been tempted to deliver in text or even in paid face-to-face courses.
But they chose to harness the power of online video and create something of far more value instead.
7. Witney TV
OK, straight-up, Witney TV ain’t pretty. They’ve actually chosen the ‘broadcast news’ theme from Garageband for their opening titles, which themselves, look like they’ve been done in Microsoft Paint. There isn’t a huge amount of care taken to making pretty video.
But – Witney TV is one of the first, sustained attempts at online video serving a local audience. And, it’s incredibly popular. Some episodes I’ve seen have 150,000+ views and scoops with Jeremy Clarkson and David Cameron have had them mentioned in the national press. I grew up in Witney, and family members tell me it’s also huge in Japan. Who knew?
They’re showing the rest of the hyperlocal world how it should be done. If you choose to follow in their footsteps, just don’t use Garageband.
8. Tim Johns
BBC radio producer Tim Johns (Disclaimer: he’s a friend) is on the list to represent all the people who’ve picked up a camera and got creative with it this year, again without any desire for reward.
Online video is an unrivalled platform for original drama and comedy, and with a flipcam costing less than £100 it’s possible for anyone to join the party. But how many do? And how many get scared away?
Tim isn’t one of those. He’s just started making films for the hell of it, and for a radio producer, he shows a startling aptitude for visual comedy & storytelling.
.09 VJ Movement
Another online video hero this year is the Dutch social enterprise VJ Movement.
It launched back in 2009 amid some hype (among video journalists, at least) and since then has got down to the business of building a network of VJs from across the globe. After a recent rebrand this autumn, the VJ Movement have focussed on developing larger scale projects and commissioning films for that project from all over the world.
Personally, I think it’s yet to find its real voice and distinctive style, but this will come with time. For the time being, it is one of the only fully independent platforms commissioning in-depth journalism from outside mainstream circles, and long may that continue.
Disclaimer: I occasionally produce films for the VJ Movement
Lifetime achievement award: TED
And finally, a lifetime achievement award is deserving of one organisation who clearly ‘got’ online video when Youtube was still in nappies.
TED lectures have been around for sometime, but it was only when they started uploading them to Youtube and making them freely available that the organisation’s remarkable talks really started to take off.
They’ve collectively been watched more than 600 million times, and spurred future speakers to up their game, a concept TED boss Chris Anderson called Crowd Accelerated Innovation. In this TED lecture, he predicts online video will have a profound affect on our future. Which begs the question: if you’re not getting in on the fun now, why not?
It’s been quiet on the blog so far in September, as I’ve been working hard starting and completing around half a dozen new projects (who said multitasking couldn’t be done?!)
I know it’s not what you stop by here for, so I’ll keep it brief.
Two commissions from the VJ Movement have kept me very busy this month. The first, a challenging story on the uncertain fate of refugees in Britain, was published a week ago. I spent some time with a Kurdish refugee who doesn’t know whether she’ll be kicked out of the UK. Her legal files are in a pile of boxes somewhere in south London; she’s in York. Click here to watch it.
An article on the closure of Refugee and Migrant Justice also appears in this week’s edition of Big Issue In The North.
A second commission, on the surprisingly expensive problem of Japanese Knotweed, is delivered this week. I’ve had fun trekking through woodland, stalking through quarantine facilities and taking a look at the new Olympic site on this one.
Some more films
Meanwhile, studio .fu, my production company is slowly gathering pace. I’ve been working on building a portfolio of work, and building relationships with potential clients too. I’ve finally completed a short about the artist Toni Lebusque, and I am delivering two films for two clients this week (phew!).
Great fun has also been had beginning a series with presenter Matt Walters about green living…which began by filming his car being demolished – I’ll share when it’s up!
Some words and sounds
I’ve been appearing in various forms elsewhere on the internet. Check out my views on paying for journalism on the Tomorrow’s News Tomorrow’s Journalists blog; I’ve also appeared at owni.eu (in French) and the European Journalism Centre this month. More time is being taken up by blog.fu, studio .fu’s own storytelling blog. And I’m also becoming slowly addicted to Tumblr too.
And a couple of weeks back I appeared alongside Richard Wilson and Jon Slattery in Judith Townend’s Meeja Law podcast. It’s called I’m a Blogger Get Me Out of Here and here’s my segment talking about being a blogger and keeping on the right side of the law. (Click on the play button to listen)
I’ve clocked up more track-miles talking to journalists and academics about social media. I was in Glasgow at the start of the month talking about how universities can use social media more; a couple of days later I had the privilege of running a training session at Trinity University College in Leeds. More training plans are in the pipeline as we speak.
There’s some really cool Next Generation Journalist stuff on the way in the next week or so. I shot interviews with several of the interviewees for the book – you’ll get to see them soon. And there’s also a Facebook group to join. Don’t forget copies are still available – and now there’s five good reasons to get a copy too!
And back to the classroom
And as September rolls around its time to think about the new academic year; I am returning to Kingston University in London on a more permanent basis this month, and teaching both undergraduate and post-graduate video journalism modules.
It’s also required me to return to the classroom as a student, and take a Post-graduate certificate in Higher Education Teaching. Crumbs!
I promise to keep blogging useful stuff as much as I possibly can. And as always, thanks for reading!
Over on my other professional blog, blog .fu, which has been dedicated to the craft of digital storytelling, I’ve been interviewing some of the young, exciting innovators who are making some amazing online video.
They’ve produced things like Last Minutes With Oden (which I raved about here) and the very popular portrait of the Mast Brothers.
Even if you’re not interested in their more artistic and cinematic styles of documentary production, their advice on how to create a narrative and find good characters is essential for any multimedia journalist.
Bert McKinley, producer, The Human Project
I wanted to try some techniques to make non-fiction film a little bit more visually and cinematically appealing without compromising authenticity or relying on reenactment.
Brennan Stasiewicz, director, Mast Brothers
“Bringing out those dreams, defining the dreamer, and displaying the pursuit as narrative is what good storytelling is all about.”
Lukas Korver, director, Last Minutes with Oden, Pennies HEART
“Ask yourself, is this is a character driven story or is it conflict driven? If it’s a character driven story you can be a little more loose in the way you plan to capture the story. If its conflict driven you better know before hand what these potential conflicts are, when they will go down, and how are you plan to capture them.”
And apologies for the gap in postings over the last fortnight; as well as a (very) brief staycation, I have been busy with three commissions, keeping me away from the blogosphere!
In this week-long series, I’ll be taking a look at why you really can’t ignore blogging if you’re a journalist, guide you through the basics of getting started, and reveal some top tricks for making blogging work for you.
We all want readers, right?
There’s little more galling than spending hours on a crisp blog post, announcing your presence to the world and finding nobody’s listening.
The first thing to remember is this: why should anybody read what you write? Why should anyone know you exist? No-one has a right to be instantly noticed in the crowded online world. But it is possible to quite rapidly build a regular audience, and with that a community, prestige, perhaps even extra income.
I know this because I’ve been on the journey. This blog you’re reading now was started on the 1st September 2006 (after my Warwick one was closed down).
I started writing in earnest, and a few people read it – mostly friends and relatives. It maybe got a thousand page views a month, which amounts to roughly 30-odd a day.
And it carried on like this…for nearly three years.
It was OK, I never really had any blogging ambitions, (I was more interested in my journalism); I updated maybe two or three times a month, writing about whatever interested me.
Then, about 18 months ago, I did two things, which I hadn’t been doing before.
- I wrote about one single thing (and wrote about it well)
- I made sure whatever I wrote added value to other peoples’ lives.
That’s the blog you’re reading now: solely about multimedia journalism (and not interspersed with details about my last holiday), with lots of practical articles like this one.
And sure enough, more readers emerged.
I’ve learned over that time what brings and audience to a blog and what doesn’t. There was no keyword wizardry going on, I didn’t buy anything from Google. I just started writing good stuff, which helped other people.
Seems simple, right?
Five things you can do to add value to your blog and build an audience
Be valuable & regular
The most important thing you can do is write about a very specific thing, and write for an audience who are interested in that thing. So, if you’re a travel journalist, running a blog for business-travellers, write articles which they will find useful.
It’s the difference between an article titled “W00t! I got an article commissioned!!!1 :D” and one called “5 iPhone apps to make your flights fly by”.
Put yourself in the shoes of your readers. What are the difficulties in their life (the pains, the wasted time or dollars, the boredom) which your journalism can fix?
Second of all, be regular. You should really be writing good, useful, valuable articles two or three times every week. Punctuate them with week-long specials (like this one), guest posts (see below) or links-of-the-week type posts.
The next most important thing to do is engage.
It is not enough to write for the masses, sit back and let them leave comments. Every comment you receive (especially in the early weeks and months) you should respond to. Any debate which sparks off the back of one of your posts you should join in with.
Be controversial. Be provocative. Make some noise. Challenge people.
Another great way to bring in readers, especially important ones, like big names in your field, is to comment on other peoples’ blogs. Say you’ve got competition from another blogger in the business-travel sector. Start commenting on their posts – they’re bound to follow the link back to your post.
Don’t make it obvious, just leave genuine, thoughtful and maybe provocative comments, and they’ll look at who you are.
An easy way to guarantee your posts are valuable to other people is to write plenty of ‘list’ posts. You’ll recognise them, especially if you’ve read my blog before, or Mashable, or Smashing Magazine. The one you’re reading right now is a list post (and you’re on number 3, by the way).
Lists are popular for two reasons. One, the reader can tell from the title alone whether the post will interest them and they can make a quick decision whether it’ll add value. A list-post title promises quantifiable, tangible advice as opposed to long-winded rhetoric.
And two, if they’re interested enough to click to your post, they can quickly scan down the list itself to see if they’re learning something new-they’ll either click away very quickly, or ideally, you’ve written something good so they’ll hang around.
Aim to write at least one list-post a week when you start blogging – you’ll make your blog so much more valuable.
Sneeze & squeeze posts
Sneeze and squeeze posts are used a lot by ‘professional’ bloggers but they’re useful to occasionally adopt yourself.
A sneeze post is a way of breathing life into old articles, usually taking the form of “Top 10 most popular posts this month” or “15 articles you might have missed”. See my quarterly ‘summary posts’ or the Media Blog’s weekly Top 10 for examples.
It’s a shame, isn’t it, when you write a new article, the one below it slowly slips beneath the waves. Writing a monthly, or quarterly sneeze post brings them back to life – and gives new readers a chance to look through your archive.
A squeeze post is another thing entirely. It’s actually a way to turn readers into either subscribers or customers. It offers them plenty of free stuff (like an ebook or a free report) in return for their valued email address. Something to think about if you decide to take your website to the next level.
Finally, another way to bring in readers with shit-hot content is to get other people involved, usually in the form of a guest post.
Identify the big players in your sector and invite them to write a post for you for free. They’ll usually be flattered, and will be happy to do it in return for some link-love. The best bit is they’ll link to your blog ever-after, so you get a chunk of their readers.
Think about interviewing other big players and publishing the interview too. On my other storytelling blog, blog.fu, I’ve invited four film directors to answer questions about their most recent pieces. It’s great for my readers, nice for them, and cool for me. Win, win, win!
And you thought blogging was just an amateur hobby! It is actually a little bit of an art and applying just a couple of these proven blog techniques will almost certainly bring in more readers. But the whole thing must be built on focused, valuable content.
If you’re not making your readers lives easier, more informed or entertained, why would they give you a slice of their fought over attention?
Journo blogger of the day: Christine Ottery
London based freelance journalist Christine Ottery is a good example of someone using not just one blog, but several, to really make the most of their niche and boost their position as an expert in the field.
Christine’s beat is science & environment news and she’s written for the likes of the Guardian and the Ecologist.
Her personal blog, Open Minds and Parachutes, while not that frequent, features some pretty long-form analysis of journalism and the environment, including this excellent piece about campaigning climate change journalism.
Christine’s blogging is similar to that of science journalist Angela Saini who I’ve mentioned many times before. Her blogging and journalism has led to a book deal. Seriously, I’ll say it again, if you are lucky enough to have a journalism specialism get out there and start a blog about it!
Tomorrow: 10 awesome plugins & themes to give your journalism blog spark
(*cough! list-post cough!*)
Did you know one of my big projects for 2010 is to launch a new business?
With those out of the way, it’s time to focus on the business, which is why I’m very excited to announce studio .fu, a new multimedia production company. Those of you who have read Next Generation Journalist: 10 New Ways to Make Money in Journalism will recognise the model from Chapter 8.
I’ve spent a fair bit of time rattling through a business concept, target audience and finance plan – and I’ll be sharing all my discoveries along the way. I’ve set it up because I really believe online news products, NGOs and small businesses need to embrace high quality digital storytelling – but shouldn’t pay through the nose for it.
Much of the past few weeks, and the next couple of months are being spent building up a strong portfolio of digital stories, talking to potential clients and other journalists interested in collaborating in projects.
Because it’s a new business in journalism, I have promised to write about it once a week on this blog so you guys get some value out of it as well. The business is in a soft-launch phase ahead of the autumn, and already has just missed out on a commission (more on that soon).
I’ll be sharing as much of the process as possible, the ups and the downs as well. The whole thing may well fail…and in a strange way, I’d almost be quite relieved if it does – as long as it fails quickly (see this advice from the Knight Foundation!)
Changes to the blog
studio .fu also has its own blog – blog .fu which means there’ll be some changes on this site over the coming weeks.
blog .fu will focus on techniques and examples of digital storytelling as a craft. So all the stuff about how to tell stories, how to create awesome online films will appear on there from now on (you can subscribe by clicking here). If you come to this blog to learn about how to do multimedia journalism, I strongly recommend you subscribe to blog .fu!
All the posts from this blog, such as this one and this one, are now available to read on blog .fu. You can also follow the company on twitter (@letsfu)
This blog meanwhile, will focus on entrepreneurial journalism, the business of journalism and the future of news. There’ll be information about the Future of News Meetups which I continue to organise, and my own research into journalism business models.
Right, that’s it. Wish me luck!
I’ve been preparing for a day-long course this coming weekend for photojournalists wishing to make the leap into multimedia.
Run by multimedia evangelists Duckrabbit and hosted by Rhubarb Rhubarb, Photography Still Moving is what the industry needs more of – training with an optimistic edge. I’ll be there running a session on how to get kitted up to do video, audio and slideshows at affordable prices; the day ends with advice on how to turn skills into money.
Interested? Here are some details for you.
The running order for the day goes like this:
- WTF is multimedia?
- Getting to grips with the kit (on a budget)
- Sound for idiots (interviewing techniques)
- I got pictures, I got sound, now what?
- Show me the money
What’s more, at £45 it’s some of the cheapest training you’ll find – and there are spaces still available! So what will you be doing on Saturday? Face-palming at another England howler from the night before? Probably. But then get out of bed, get your camera and come and learn some new skills.
If you’re interested, click here to get yourself a ticket.