Adam Westbrook // ideas on digital storytelling and publishing

11 brilliant books for multimedia producers, journalists and entrepreneurs

Posted in Entrepreneurial Journalism, Online Video by Adam Westbrook on December 8, 2011

In 2011 I read more books than I probably did at any other time. I picked up The Catcher in the Rye for the first time, and thanks to the ease of downloading books via the Kindle app, I’ve been able to read more titles on a whim. 

My reading interests range from everything from journalism to design, to minimalism, stoicism, film making and business. I’ve picked out the best 10 for anyone making the most of the Age of the Online Publisher.

A quick note: all links to titles are affiliate links. Some titles are only available as Kindle downloads. The prices I’ve listed will probably change.

The best books I read in 2011

Steven Pressfield | War of Art: (£5.87/$9 Kindle Edition) I actually read this last year, but Steven’s follow up Do The Work, came out in 2011. If you work in any creative or business  endeavour, then you owe it to yourself to read War of Art, it is the best book I know on the battle you face to create something new. Anyone who’s launched a new website, made a film, published a book or started a business will know what I mean by the word ‘battle’: War of Art is an essential weapon.

Kurt Lancaster | DSLR Cinema: (£14.64/$22.57) This is one of the best books I know for anyone starting out using DSLR cameras (like the 5D, 7D or 550D) to shoot video. If you’ve been using these cameras for a while, it’s probably not an essential buy, but early chapters clear up any confusion you might have about frame-rates, codecs, and shutter speed.

Jonathan Field | Uncertainty: (£12.10/$14.46) Jonathan’s first book Career Renegade, was the book that made me quit my job and go freelance. About eight weeks after I finished it I was down in London starting a new life. His follow up, focuses on how to deal with uncertainty in life – if you’re self-employed, starting a new business, uncertainty is regular spectre.

Frank Rose | The Art of Immersion: (£12.92/$17.79) Frank’s book is so good, it sparked several blog posts here earlier this year. Frank examines how storytelling, journalism and even movies are being changed by new technology, chiefly by allowing audiences to participate in stories too. I can’t tell you how many ideas I had after reading Frank’s book – so give it a try.

Ira Glass | New Kings of Non-Fiction: (£8.34/$10.88) Speaking of great storytelling, it doesn’t come much better than Ira Glass. He’s compiled a collection of excellent long-form journalism, including Malcolm Gladwell and Jack Hitt. It never hurts to read journalism at its finest.

Derek Sivers | Anything You Want: (£5.73/$5) Another title that sparked a big blog post here in 2011, Derek Sivers has some of the best common sense (or as he would say ‘uncommon sense’) advice for starting a business in the digital world. It got me wondering how newspapers would fare if they were run this way – if you liked that post, then dig deeper with Derek’s book.

Brenda Ueland | If You Want To Write: (£7.99/$7.99)This one came recommended by future of photography expert Miki Johnson this year, and boy is it a game changer. Brenda offers the best no-nonsense advice for anyone wanting to write (fiction or non-fiction) and her style is addictive. A word of note, this book was published in the 1950s so comes with some rather old-school values. See past that and you get some gems.

Darrell Huff | How to Lie with Statistics: (£5.99/$6.83) And sticking with old school, here’s another mid-century treat for any journalist dealing with numbers – a skill very few excel at (if you’ll excuse the pun). Guardian data journalist James Ball recommended this book to me as a great primer for the tricks people try and play with numbers. If you’re into data, infographics or similar this is fun introduction.

Alison Bavistock | The Naked Author: (£10.42/$22.95) Alison’s new book is a beefy guide for anyone thinking of by-passing traditional publishers and joining the likes of John Locke as authors making a mint on Amazon. As well as practical advice, Alison takes a good hard look at where publishers fit in this new world. [Disclosure: Alison is a colleague at Kingston University’s Department of Journalism & Publishing].

Al Tompkins | Aim for the Heart (2nd Ed) (£18.99/$29.35) US TV news journalist Al Tompkins has updated his guide to video storytelling and has techniques on interviews, graphics and ethics. It’s aimed at the US local news reporter, so is a bit focused on quick soundbites and writing leads – but Al’s core message is an invaluable one: tell human stories.

Scott Belsky | Making Ideas Happen: (£6.06/$17.79) the founder of 37 Signals (one of the most successful web businesses out there) published this book early in 2010, but I had to wait patiently until this spring to get a copy in the UK. It’s worth the wait though: and guides you through the 99% of perspiration that goes into creating great stuff, with neat advice on time management and motivation.

What great books have you read in 2011?

Kurt Lancaster: an important voice

Posted in Journalism by Adam Westbrook on June 29, 2009

I just discovered the blog of documentary video journalist and lecturer Kurt Lancaster. And this guy’s right on the ball when it comes to knowing TV style film making is dead.

In Kurt’s own words:

No narration provided by a reporter. No heavy-handed production telling the audience how to think or feel.

By placing himself into the short documentary, Kristof thankfully eschews the tired style and omniscient voice of the broadcast journalist who typically stands with microphone in hand, almost pleading with an audience to emotionally engage their sensationalized, “must-see” story. “Look at me and what I have to say!”, seems to me the pervading style of the news broadcast journalist.

In an interview with doc filmmaker Ellen Spiro (Body of War 2007), she told me that a lot of broadcast news sets up the classic confrontation of one side versus another side. But she feels there are as many sides to a story as there are people experiencing or witnessing the event

Broadcast news tends to give us a snapshot of either a victim or an overly-cute feel-good subject, as seen on the outside looking in. Documentary filmmakers build trust and take us into a slice of life of their characters…And this is one of the core differences between broadcast news and documentary filmmaking — the building of that trust in order to get the subject to open up.

So…he’s a film maker, a documentary maker, a video journalist. But he hates opening GVs, he hates overwritten voice overs and pleading pieces to camera. In fact, all the things which make standard TV packages so repetitive and unimaginative.

Like I say, he’s right on the money. Click here to visit his website.

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