Video: Nick Williams on the portfolio career

One of the easiest ways to become a Next Generation Journalist and forge your own exciting work life, is to create a portfolio career.

I go into this in some length in chapter one of the e-book, but the thrust of it is this: we are all good at more than one thing, and we can all make money from more than one thing. The result: a rewarding, challenging and profitable career which takes traditional ‘freelancing’ to a new level.

Last night I went to an event all about portfolio careers, hosted by Nick Williams, one of the thought-leaders on creative entrepreneurialism.  The point of a portfolio career, he says, is not holding down lots of bad jobs to make up a decent income – instead it’s a way of life you purposely pursue.

More and more people are becoming fed up with the rat race, realising life’s too short, and thinking about how they can get paid to do what they really love doing.

Is it something journalists can do? You bet, and many journalists already are. One of last night’s speakers was former ITN newsreader Katie Ledger (pictured, right). She left ITN a while back and now puts her journalism skills to use across a whole range of jobs, from working with Microsoft, to writing a book.  Alex Wood, of Not on the Wires, combines his journalism with a thriving web design business; another Not On The Wires journalist, Marcus Gilroy-Ware combines reporting with lecturing and designing software.

I’ve been doing the portfolio career thing for a year now (more on that next week) – but alongside my video journalism and newsreading, I have been lecturing, speaking in different parts of the world, writing books and setting up a new business. It is possible, and it’s awesome fun.

The modern world is calling for more so-called ‘renaissance souls’ as Nick explains:

In this video:

• you will learn why having a portfolio career is actually more secure than sticking with your 9-5
• you’ll find out how it’s possible to balance having more than one revenue stream
• and you’ll hear why journalists are actually positioned perfectly to exploit the demands of the 21st century

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How do we shape the future of journalism? Easy!

Image: I Can Read

Things are moving forward in journalism. Slowly, but we’re definitely seeing things happen in 2010, which were only words in 2009.

New companies, products, ideas; but there’s still a lot to do.

So it’s the time to ask yourself: do you want to play a part in the future of journalism, or just play the bystander? Do you want to be the one who produces something no-one has conceived before? The one who answers a problem we never thought could be answered?

The challenge is a big one – but  guess what, to shape the future of journalism you only have to do one thing: show up.

Showing up means launching the digital magazine you’ve been daydreaming about for months; it means actually buying the domain name for that new hyperlocal you’ve got your heart set on creating, and then learning how to put the website together; it means deciding you will go to South America and report on that issue you know is going unreported, and setting up a way to crowdsource the cash.

It doesn’t mean endless hours brainstorming, planning, scribbing, daydreaming. It means doing.  

Get excited

Three great articles floated my way this week which really sum up what I’m trying  to say. First video journalist Michael Rosenblum reminds us the innovators of history have rarely been those in the establishment already:

The ‘professional scientists and engineers’ of 18th century Britain did not invent the first steam pumps, the working steam engine or the railway engine.  That was left to the ‘amateurs’, who thankfully, did not need the permission of the ‘professionals’ to get access to the tools of experimentation.

They were drawn to their craft and their avocation, as well as their later vocation, by pure passion and interest. And they delivered a very good product.  A very good product.

In other words, you don’t have to have a BBC email address to play big in journalism. You don’t need the New York Times behind you. You just need passion, interest and a willingness to get your hands dirty.

Show up

Next, Nick Williams of Inspired Entrepreneur points out that what ever you want to get paid to do, the place to start is to show up – even if it means doing it for free at first.

I am a massive advocate of showing up and doing what you love for free to start with. The key is the showing up part – because the money can’t usually follow until you’ve shown up, you can’t get paid in theory for something you haven’t done in practice. I know I would not be where I am today had I not been willing to show up for free at the beginning of my career and at various points since.

In other words, once you start doing something, things start happening for you. You won’t make it as a multimedia journalist sitting on Twitter all day – it’ll only work out when you show up with a camera and the kit and start telling a story.

Let go

Thirdly, Mark McGuiness of Lateral Action has some great advice to make showing up even easier: ‘you can’t plan for magic’:

Plans are good for some things. Buildings. Savings. Exercise. Some bits of some businesses. But they have their limits when it comes to creativity. After all, if you’re only going to execute on a plan, you haven’t really created anything, have you?

Preparation is fine. Research is fine. Practice is fine. Rehearsal is fine. Learning your craft is fine. But there comes a point when it’s time to face the stage, the page, the canvas or the blank screen.

In other words don’t wait for your whole plan to make sense before you start. Does your online magazine need a solid business plan before you write the first page? No! Do you need to have funding guaranteed to make an audio slideshow about a cracking story? Hell no!

You can sit around forever waiting for the business plan to realise or the money to appear, and all the while the future of journalism is moving on without you.

So get excited, show up and let go. And it’s yours.