After six years, 520 posts and who knows how many words, this is the last thing I’m going to write on this blog.
It’s a decision I’ve been thinking about for almost a year and I’ve kept putting it off, partly because I still had things I wanted to figure out and share with you, and also because – believe it or not – this blog does make a bit of money!
But 2o12 has been a year of reflection and contemplation for me and ultimately of heading in new directions. Over the last few years my interests and passions have developed to the point where I now no longer think of myself as a journalist, but more of a producer and publisher. What I write about has gradually shifted from news to storytelling, to cinema to entrepreneurship, and I know that’s not what many of you come here for.
At the same time, how I think about creating stuff has changed and I want to focus my energy on building things that matter: films, magazines, books, businesses and more. Sadly a weekly blog post, and hours spent on Twitter don’t fit into that.
I’ve spent some time bringing together 20 of my favourite pieces from the last few years and written five brand new ones, and put them all into a one-off collection. If you’re here for the first time and want the highlights this is for you, or if you want an intensive burst of ideas and inspiration in one sitting then I recommend it too. It’s completely free: you can have the pdf right here, no email address or nuthin’.
In a few months I’ll be leaving my life in London behind and seeking some new adventures. I’ll be heading to Paris in January and then to wherever the wind takes me. There is no plan or strategy, just embracing uncertainty, putting faith in having no plan.
I’ve got some bold new projects I want to start, some experiments I want to try and I’ll generally be gettin’ busy gettin’ messy. I’m still insanely passionate about creating insightful, intelligent and thought-provoking factual stories so a lot of my projects will be trying to solve this problem.
I’m also crazy about storytelling structure and visual storytelling and still have loads of questions about it. The response to the Inside the Story project earlier this year was awesome, and I have plans to develop it in early 2013, most likely in magazine form. If you’ve downloaded a free copy of the ebook, then you’ll hear about it later this year. Click here to get a copy if you haven’t already.
I’ll be location independent so I’ll still be working with clients in the UK and elsewhere and I’ll continue to be available for film, motion graphics and writing commissions. Click here to contact me about that. I’m also still consulting and training, and there are still a few spaces left on the next video journalism workshop in November. At the same time, if you’re an organisation committed to creating great narrative experiences anywhere in the world then drop me a line too, maybe we could work together one day.
Finally, and most importantly, I want to say a huge thank you to you for reading all this over the years. You can double that thanks if you’ve ever left a comment after a post, triple it if you’ve retweeted, reblogged or shared a post, and quadruple it if you’ve ever bothered to send me an email. Knowing that something I’ve written has inspired another person, given them a new idea, or helped them do something awesome always puts a smile on my face.
After all this time blogging about journalism, what advice can I offer? Well, there’s a spot open for someone to share more new ideas about how journalism can be done better. If that appeals to you, then remember: be positive, not critical, share and inspire and above all be immensely generous.
Blogging is a great way to crystallise your own ideas and get feedback, not to mention a great way to learn, build a platform and a reputation. It worked for me and it was great fun, so go on, get busy writing. Here’s a series I wrote a couple of years back with advice on how to start your own blog.
I have honestly no idea what will happen next in my life but here are some ways you can keep up with whatever the hell does happen.
My Journal: I’ve slowly been building a personal online journal. Is it just another blog? Sort of, although it is really a blogazine, with each article individually designed, as a way for me to practice web design. It’s a 100% personal site, so if you’re interested in me as a person then take a look. Inspired by Robin Sloan’s brilliant tap essay I’m going to be making tributes to people, things, places and stuff that I really love.
My homepage: My main website is still there – it’s the best way to contact me.
Twitter: I’ll still be tweeting and tumblring, although a lot less frequently.
Hotpursuit.co: This is my new publishing venture..it’s just a top co right now, but will develop more in the future. Still you can sign up to the mailing list if you really want.
• • •
And lastly, I’m not stopping this blog because I have lost faith in the future of journalism or the industry. Quite the opposite. In the lifespan of this website we’ve seen journalism hit hard, and its foundations thoroughly shaken. But the last two years have brought an energetic burst of new ideas, platforms and experiments from ordinary people that I’m certain will propel us through to a remarkable new age, where stories are told, ideas are spread and the truth always challenged.
If you ever despair, remember: we are just at the beginning.
Tumblr followers might have seen this video I discovered (via Maria Popova’s ever-excellent Brain Pickings) last week. It’s a short profile of the history documentary filmmaker Ken Burns, a man whose technique and style has become so recognisable, he’s even had an effect named after him.
Burns has a difficult job: make stories from the past compelling on screen. It’s tough because your characters are dead and the action you want to film has long since happened. You are left with interviews with historians, still photographs and empty buildings. As a former historian myself it’s a genre I’ve long thought needs a fresh approach – but I’ve been looking at it in the wrong way.
Watch this short film (itself superbly produced by Tom Mason and Sarah Klein) and you’ll see the Ken Burns approach isn’t so concerned with what we see. For him it’s all about crafting a compelling story.
And here are my notes from watching it a few times over.
Great stories: there are millions of them! It’s easy to forget sometimes, but the world is full of amazing stories happening right now, every second. Burns gives two examples from US history – and you’ll notice both stories have a ‘wow’ factor: they both make you go “shit, no way“. We need to pursue these stories more often – remember the flying rhino!
The good guys have very serious flaws and the bad guys are very compelling. Remember how Indiana Jones is scared of snakes? That’s a great example of a contradictory hero. No-one is interested in a tough guy who solves a problem with ease. We want to hear about people who are as scared, nervous and fallible as we are.
All story is manipulation. This is a debate point for factual film-makers but I think I agree with Burns on this one. He says it’s ‘good manipulation’ – using the range of storytelling devices within reach to make people feel something. Whether you believe in manipulation or not, you always want someone to care about your film, and that in itself is an emotion.
We coalesce around stories which seem transcendant. This is a nod to the universal story. The best stories – no matter who the characters are, when or where it happens – stick with us because they evoke common ideas that we can all relate to. The story of Julius Caesar’s death is retold 2,000 years later not for its political ramification but because it is a story of betrayal: we’ve all been betrayed (or been the betrayer) and we understand the story more deeply. The lesson: always look for the universal in your own stories.
We’re all going to die; story is there to remind us that it’s just OK. Finally in a very elegant nod to the universal story, film makers Tom Mason and Sarah Klein end their piece with Ken Burns wondering why he tells stories about the past. He reveals his mother died from cancer when he was 11.
…I try to make Abraham Lincoln and Jackie Robinson and Louis Armstrong come alive, and it might be very obvious and very close to home who I’m actually trying to wake up.
If you care about storytelling then watch this a few times over.
It’s a short post this week and it comes in two parts.
Firstly, get the book
Yes, as suggested a few weeks ago we have re-released Inside the Story, after lots of demand from people who didn’t manage to get a copy in the first run. Frankly, the advice in the book is too good to be kept away forever, and we want as many people to benefit from it as possible. So, not only is the book back – and permanently – it’s also free.
The first run raised a more than $4,000 for the developing world charity Kiva, which blew our socks off. It’s more than we could have hoped for and so now the book is yours to keep for free. There is, however, an option of a voluntary loan or donation should you want to support the charity.
And finally, thanks to the hard work of some talented journalists/translators, the book is now available in three new languages: German (translated by Dieter Hoogestraat); Spanish and Catalan (translated by Alba Falcó and David Domingo).
So if you haven’t got yourself a copy yet, now’s the time. Just head over to Inside the Story and follow the download instructions.
Secondly, take the quiz
If you’ve already read Inside the Story, I need your help. The response was better than we had expected and many of you got in touch to say how useful it was to you.
That’s awesome, and we want to make more stuff like this that you’ll find just as helpful and inspirational.
So what’s missing in your digital storytelling world?
We’ve designed a very short survey to find out what you would find most useful. It’s anonymous and quick – filling it in will help make sure our next big project is as useful to you as possible.
And a bonus tip!
If you’re interested in starting your own innovative publishing projects and building a business around it, I’m running a workshop with the General Assembly in London tomorrow night. Tickets are still available – click here to get one.
Where do ideas come from?
I’m talking ideas for projects, ideas for stories, ideas for businesses.
By now, you know that “there’s no such thing as an original idea”. That’s true, but it’s only half the story.
Twyla Tharp in her excellent book on creativity describes the “unshakable rule that you don’t have a good idea until you combine two little ideas.” It’s an eye opener because it makes you realise that there’s no lightning strike of inspiration. You realise that a good idea is a simple matter of combining two different ideas together.
Many of my own projects are the result of this combination.
My popular journalism prediction videos were a combination of the raft of end-of-year predictions which flood the internet each December and stylish video.
Inside the Story, which raised $4400 for Kiva this spring, came about by taking Seth Godin’s book What Matters Now and applying its approach to a completely different field of digital storytelling (you’ll notice Seth gets a nod in the book).
Meanwhile a whole industry of advocacy film-making has developed from the concept of applying a documentary approach to the third-sector market.
To take it a step further the most innovative ideas can come from combining two things which would never ordinarily be put together.
A huge amount of content for this blog, in fact, comes from combining smart things Chris, Amber, Ryan, Seth and Tim say about philosophy, life-design, productivity and marketing and wondering “what happens if we apply that to online publishing and journalism?” It’s the reason the blog’s approach to entrepreneurial journalism stands out, say, from what Jeff Jarvis or Mark Briggs might write.
Similarly, the aesthetic of online video is starting to step away from mimicking television news because videographers, armed with HDSLR cameras are taking their cues now from the disparate world of fictional cinema. They’re combining James Cameron’s style with documentary content.
Wait, isn’t that stealing?
Of course it isn’t. Kirby Ferguson, the brain behind the influential series Everything is a Remix, makes this point brilliantly in his series of films. He argues how we take an idea, transform, remix and combine it to create something new. To flat out copy What Matters Now and pass it on as my own – sure that’s stealing. But to combine it with another idea transforms and remixes it into something new.
“If we’re free from the burden of trying to be completely original, we can stop trying to make something out of nothing, and we can embrace influence instead of running away from it.”
Austin Kleon, Steal Like an Artist
Lots of young journalists, film makers and publishers are told to start blogging, but abandon it because they don’t think they have anything to add to the saturated journalism-naval gazing market. Certainly, no-one wants to read another postgraduate’s opinion of the Leveson Inquiry. So if you’re stuck, start by taking something else you’re passionate about – maybe another industry or another craft – and collide it with journalism.
If you’re lucky and persistant, sparks may fly, and give life to a whole blog, an article, a documentary – even a new business.
I’ve been looking forward to this one since January.
Yesterday I had the distinct pleasure of wiring $4339.99 to Kiva, the developing world entrepreneurship charity. That’s the total sales raised from shifting nearly 1,000 copies of Inside the Story: A Masterclass in Digital Storytelling from the People who do it Best. It’s an astonishing amount of money for a brilliant charity.
If you’re wondering why the final figure isn’t a round number, remember Paypal and Google Checkout both take a fee per transaction. Each sale therefore raised between £3.12 and £3.15, depending on exchange rates.
The money is now with Kiva, who estimate that every dollar donated (as opposed to loaned) generates ten dollars in loans – so we could effectively have created more than $40,000 for a brilliant charity. If you haven’t caught up with what Kiva do, then check them out here.
I’m personally astonished by the final amount we’ve raised. I had tentatively hoped we would make about $2,000 or maybe $2,500 tops. But to hit nearly $4,500 is just mind-blowing, so thank you if you bought the book, and thank you again if you encouraged others to buy it by blogging or tweeting about it.
I’d also like to thank the 25 brilliant contributors who gave time and effort into making the book happen. The charitable fundraising aside, the response from readers has been fantastic; I’ve had emails from people all over the world who say its inspired them to up their storytelling game in a big way.
Some of you have asked why the book was only on sale for a temporary period. It’s a logistical thing, mainly: there isn’t a convenient way to set up transactions so the money goes to Kiva as soon as the book is bought, and so I have to look after sales and make a one-off donation. That, plus dealing with customer service emails takes up a lot of time, which I don’t have.
However, Inside the Story will return this summer, and will be permanently available, either for free, or with an optional donation. If you would like to know when that happens, then signup to the mailing list here.
On being generous
I’ve also been asked why I did the project in the first place. Why put so much effort into something like this, without any reward for me? This isn’t how entrepreneurial journalism is supposed to work, surely!
It also gave me the opportunity to get in touch with some of my favourite storytellers, journalists and film makers and collaborate with them.
But above all, it’s practicing a fundamental pillar of online publishing and enterprise: you must be generous. If you want to build an audience or a community around what you do and what you love you have to be willing to give away a huge amount, willingly, happily without want for immediate reward.
You have to be willing to share what you learn, give away your best secrets and skills, bring others along on the journey with you. That’s why I’ve spent several hours writing a new blog post every week for the last five years, which I give away for free, with no advertising and no fees attached. It’s why I always try to respond to emails from readers, give interviews and help with student dissertations.
As well as demonstrating you know what you’re talking about, it also builds trust and grows attention – two things in hot demand.
Note that generosity doesn’t include tossing off short lazy blog posts, or poor quality podcasts every so often. Real generosity is crafting something of exceptional quality, like Inside the Story, or even Everything Is A Remix, and then giving it away for free.
So, if you’re stuck about what to do next, and where to go from here, try being unashamedly generous. Give away free advice on Twitter, offer your filmmaking or writing skills for free for a day; hey, you could even publish an ebook.
Think about what you know, what you’re good at, and what you love spending your time doing, and then ask how that can be put to good use helping other people.
image SeanRogers1 on Flickr
First a quick update on Inside the Story, which has been on sale for 10 days now. It is selling extremely well, and has raised around $1700 for Kiva so far. I want to double this by the time the book goes off sale at the end of May though, so please tell everyone who’ll listen to get a copy!
The active way to start your journalism career
One of the most popular posts on this blog in the last six or so months was a response to a query from Nick, a young Australian journalist. He wanted to know how to use the age of the online publisher to start his journalism career in the best way.
My main advice was to get to work, making high quality video stories, even with nobody to pitch to. Take the initiative, make a bold move, and create good content.
Well, I recently received a follow-up from Nick, which again, he’s kindly agreed to let me share with you.
Believe it or not, this morning I got offered my first real job in the journalism industry. It’s just as a Production Assistant at a TV news network, but most importantly it’s my foot in the door. Honestly, after three rounds of interviews it hasn’t sunk in yet.
The reason I’m telling you is because at the beginning of this year I decided to take some initiative, get out there and start creating stories. At the time I drew a lot of inspiration and advice from your blog and links. I bought a Canon 60D (with 50mm f1.4) on credit, found ‘free’ software, created a simple blog and began making videos. My videos are very amateur, but I’m convinced that the reason I got the job this morning was because of taking that initiative. And in part – that initiative was a result of reading your stuff.
First of all that’s fantastic news and congratulations Nick. I’ve shared this, partly to show that fortune really does favour the bold, but also to highlight some of the specifics of Nick’s approach that you can apply yourself.
The key is Nick’s decision to take the initiative, start a project, and get to work making videos. There is literally no excuse not to really, and if you’re a beginner, like Nick, then it is the only way to improve your craft.
Now, Nick says his videos are “very amateur” although I would beg to differ. Take a look:
First of all, I love the concept: give people an ice lolly in exchange for their opinion? Brilliant! If you don’t mind Nick, I will be borrowing that idea myself one day. (Vox popsicle anyone?). His videos are creatively cut, perhaps inspired by the famous 50 people 1 question series, and he uses his DSLR camera and lens well.
The important thing is this: he has designed a project to channel his creativity and force him to create a series of content, just like some of the video producers I mentioned in the post before. I cannot stress the importance of this enough. It’s a clever idea, but not so ambitious it would take a long time to do (and cause enthusiasm to eventually fizzle out).
Secondly, Nick smartly doesn’t make a big financial investment where possible. He uses free editing and publishing software to get his content made. The music in his films are creative commons licensed. The only thing I’d advise is to avoid buying anything on credit as far as you can. From painful experience, borrowing money is not a route to go down, especially early in your career.
That said, Nick’s investment in his camera does demonstrate one important thing: commitment. In buying a camera Nick is saying to himself, to the universe and of course, to potential employers, he is serious about this. He is committed.
From experience I can tell you that big projects often require a public demonstration of commitment, as if you are telling the Gods ‘I am serious about this shit‘. Once you make that commitment, you find things start to shift in your favour somehow: people start getting in touch, offers start coming through, inspiration takes hold.
Finally, and most importantly, Nick shipped. He started the Icy Poll project – and he finished it. That proves stamina, determination and an understanding of when something is done.
So, if you are sitting across the table from Nick at this TV News Network you see a young journalist with initiative, creativity, commitment, determination and leadership. Cool fact: they are five skills they don’t teach you at j-school and are therefore rare.
Prove you’ve got those skills too – through action, not words – and you’ve got a much better chance of standing out. The jobs market is not going to get easier: you have to get tougher.
And we’re off! It’s taken months of work, several hundred emails all over the world and lots of late nights, but Inside the Story: a masterclass in digital storytelling by the people who do it best is now on sale!
On the website you’ll find more about the book, more about Kiva, the charity receiving the proceeds from book sales, and the checkout button to get hold of a copy.
One small change of note: I announced yesterday the book would sell for US$5.00. After some more user testing, we’ve decided to sell the book in pound sterling instead, as it means sales are processed automatically and you won’t have to wait long for your copy to be available.
So it’s now priced at a sterling equivalent (give or take exchange rate fluctuations) of £3.50. You can buy with PayPal, your debit/credit card or Google Checkout.
And a final important note: Inside the Story is on sale for a limited time only: just four weeks. That’s when we’ll donate all the money to Kiva and the book will go off sale. If you want the book, it’s vital you get hold of it soon!
The countdown is on! There are less than 24 hours to go until Inside the Story: a masterclass in digital storytelling by the people who do it best is released upon the world. You’ll be able to buy a copy from 0800 BST tomorrow, Thursday 26th April 2012.
The English version will be live from tomorrow and German, Spanish and Catalan editions will be available in the next few weeks.
But how much is Inside the Story going to cost? Good question. We’ve thought really hard about pricing and we want this book to be affordable and make lots of money for Kiva – who we’re raising money for.
So I’m thrilled to announce the book will be yours for a ridiculous $5.00! It’ll be on sale in US dollars, which will be converted to your local currency when you buy (but it’s roughly €4.50 or £3.75) – an absolute bargain.
It means we’ll need to shift lots of copies to raise all the money we want for Kiva though – so in exchange for getting in cheap you must promise to share it with as many people as possible! But there’s a catch: Inside the Story will only be available for a matter of weeks (so don’t hang around).
How to tell quality stories like a pro
You’ve had a week of sneak previews and there’s space for just a few more. In the last week, I’ve previewed advice from the book about how to plan stories like a pro, structure them properly and use design to your advantage. And that still covers a mere third of what’s in the book!
If Inside the Story is about one thing, it’s quality: it is aimed directly at producers, film makers, video journalists, photographers and designers who are in hot pursuit of creating remarkable stories for the web – stories that really impact people. For most of us, we fall short a lot of the time. So what are the secrets of achieving quality?
A great person to ask is Richard Koci Hernandez: a pioneer of multimedia storytelling – for which he’s even won an Emmy. In a great chapter which rounds off the book, Koci shares six tips for anyone who wants to aim high.
“Spend time everyday consciously shooting pictures, recording sound etc. Work deliberately on improving a multimedia skill, because practicing your craft is one of the biggest productivity payoffs around.”
If you thought there was an easy way round getting good at storytelling you were wrong! Koci is backed up by another multi award winning producer, Brian Storm, Executive Producer at MediaStorm, again nominated for a prestigious Webby Award earlier this month. For Brian there is one sure-fire path to achieving good quality.
“We look for projects that have deep reporting, especially a commitment to coverage over a long period of time. Then we spend as much time as necessary in post production to pull the best possible story from the coverage.”
Brian explains more about the secret ingredient of quality storytelling and how to apply it to your projects. And perhaps counterintuitively, a final word from yet another award winner: John Pavlus, who’s produced multimedia for NPR, the New York Times and the Atavist among others. For him, the secret of achieving quality is something else entirely.
“Make it suck”.
Trust me, it makes perfect sense when you read his full article – and there’s only one way to do that! Sign up to the Facebook page, join the mailing list, and make sure you’re on this website tomorrow morning.
Inside the Story will be on sale for a limited time only – a matter of weeks, so don’t hang around!
Are you excited yet? There are less than 48 hours until Inside the Story goes on sale!
I’m personally psyched about the whole thing for a few reasons: firstly because it’s the culmination of three months of work, hundreds of emails all over the world, lots of planning, writing and designing, and I can’t wait to have something to show for it. Secondly because now I see the finished product I reckon it’s going to be incredibly useful for hundreds of journalists, film makers, publishers and producers who are flirting at the edges of remarkable, but aren’t quite there yet (I include myself in that).
The third reason is the most important. I want Inside The Story to do more than help digital storytellers: I also figured it could make a real difference to people all over the planet. That’s why 100% of all the money from each sale will be donated to Kiva, the developing world entrepreneurship charity.
Kiva are a real innovative non-profit: they crowd-fund loans which are given to people wanting to start their own business in countries like Kenya, the Philippines and Indonesia. The money lets these entrepreneurs invest in equipment, supplies and anything they need to get started, but would never be able to afford on their own. Incredibly, in the last six years 760,000 people have been given help starting a business with more than $3million in loans – and 98% of those loans actually get paid back!
It’s a simply brilliant way to help people help themselves and master their own destiny. Inside the Story is going the extra mile though: every penny will be given to Kiva as a donation, rather than a loan; Kiva estimate every dollar donated generates $10 in loans – so if we make $3000 through selling Inside the Story, that could create $30,000 in loans. Epic.
That’s why this book will help up your career, and the career of someone else. Remember it goes on sale Thursday morning at 0800 BST.
Story design like a pro
All this week I’m giving teasing glimpses at the great knowledge and advice you’ll find in Inside the Story – written by some of the finest digital storytellers in the world. So far, we’ve had a look at how to prepare stories like a pro, and how to structure them in the most engaging way. But the book isn’t just for film makers. There’s advice too for web designers, photographers and interactive designers too.
What does it take to capture people on the page and engage them with your story? For Monica Ulmanu, interactive designer at the Boston Globe, it’s all about focus. Monica creates amazing multimedia interactives for the Boston Globe’s website – there are some must-see examples in the book. So what is the secret to good design?
“Focus your user’s attention on one element at any given time. Carefully craft your design so that particular element stands out. Constantly ask yourself: What do I need to show right now to make the message clear, the story easy to follow and uncluttered?”
Monica follows this up with some great graphic-design tips on how to direct a viewers’ eye through the page. It’s advice echoed by web designer Sergio Acosta, co-founder of Designing Stories. He says web design needs to move away from making templates and instead use design to give the visitor an experience – in essence a narrative.
“Storytelling design is the experience a web designer creates out of a narrative. So, look for the visual cues and the key words that will set the design apart.”
And when it comes to creating immersive experiences, the New York Times is up there with the best. In Inside the Story you’ll get to hear from the NYT’s Multimedia Editor Andrew DeVigal, who leads the team responsible for some real innovations in multimedia storytelling, including a story which was commended in this year’s World Press Photo Awards.
…great journalists ask those questions in which the answers provide insights and pushes us to think in entirely new ways. In asking these questions, curiosity often leads to innovation and in providing new angles to a story or situation.
Andrew gives examples of how his team solved problems and created a new way of experiencing stories on the web – you can find out what they did on Thursday.
First of all, an exciting announcement.
After three months of work, Inside The Story: a masterclass in digital storytelling by the people who do it best is ready to launch, and will go on sale one-week-today: Thursday 26th April 2012 at 0800 BST. It’s now more important than ever that you’re a fan of the Facebook page or subscribed to the mailing list to make sure you get your copy!
The English version will be available first, with editions in German, Spanish and Catalans on the way in May. This is totally a fundraising exercise, with every penny from each sale being donated to Kiva, the developing world entrepreneurship charity.
But what’s in the book?
I’m really confident you’re going to love Inside The Story. For a start, there’s no other book, or website, like it. It’s a real masterclass in what it takes to create high quality, remarkable stories for the web. If you’re making films, designing graphics, animations, websites or podcasts and struggling to make it as good as you know it can be, you’ll find this book incredibly useful.
The contributors are almost all award-winners, and are behind some of the most popular productions on the web – you can get a sneak at some of the names here. And all their advice is ridiculously practical. To give you a taster, for the next week, I’ll be releasing short previews of some of the contributions.
How to set up your story like a pro
Let’s start at the beginning. How do you set up, research and prepare your stories to give them the best shot at being remarkable? The resounding thought from all our contributors is that preparation is key – and so are people.
Drea Cooper is one half of the team responsible for the quite extraordinary California Is A Place web series, which portrays fascinating characters from the US west coast with beautiful heart-breaking flair. Their latest film, Aquadettes, which tells the story of a group of elderly synchronised swimmers will get an airing at this year’s Sundance Film Festival. Drea gives some great advice about finding the right people in Inside The Story, and for him, finding characters is key:
Whether it’s fact or fiction, dynamic people and characters bring stories to life. Any film, short or long, should have a dynamic person at its center.
But, Drea warns, it’s really not as easy at all. California Is A Place is celebrated for the incredible characters it features – and in Inside the Story Drea reveals how he, and partner Zachary Canepari go about finding them.
Once you’ve found the right person you need to make sure your research is up to scratch, says producer Ben Samuel who makes documentaries and history programmes for the BBC, on his page.
“Whatever field of human endeavour your story focuses on, there are experts who – more often than not – will be happy to give you an excellent grounding in the topic. And secondly, if your research isn’t quite up to scratch, there will be people who will clock your mistake, no matter how obscure your subject matter is.”
If you’re stuck for where to start researching, Ben gives some brilliant advice about where to start with your research, and a clue to the best research source of them all (and no, it’s not the internet).
Finally, some great practical advice from Guardian photojournalist and film maker Dan Chung, based in China. Dan’s covered everything from the Japanese Tsunami aftermath to life inside North Korea, stories you can’t just stroll into.
“Prepare yourself physically and mentally if the story requires. Think about the possible scenarios that will unfold and make contingency plans for them – both journalistically and technically.”
He outlines his preparations for each story in more detail in Inside The Story, one of more than two-dozen hand crafted chapters by some of the best digital storytellers on the planet.
For the last few months I’ve been working on an exciting project which is almost ready to launch. It’s called Inside the Story: a masterclass in digital storytelling from the people who do it best – an ebook, to raise money for Kiva, the developing world entrepreneurship charity.
The last few weeks has been a flurry of layout, web design and conversations with some of the best film makers, digital producers and journalists out there, and the book is almost ready to go live.
What’s going to be in the book? Here’s a quick video update on the project – and a sneak preview of some of the pages. Later this week, I’ll be publishing snippets from the book so you can see some more and announcing the publication date.
If you’re not a fan of the Facebook page yet, why not?