Inside the Story: how to structure your stories
There are just four days to go until Inside The Story: a masterclass in digital storytelling by the people who do it best goes out to the world, in a bid to raise as much cash for charity as possible.
And today I’m psyched to reveal what the front cover of the ebook will look like, thanks to the brilliant people on the Inside The Story Facebook page. Last week I threw up three front page design ideas and over the weekend, they’ve all been voting on which one they like best. And here’s the winner!
It features a mesmerising image taken by visual journalist and contributor to the book Jonah Kessel.
On Friday, I let you have a peek at what advice the book has about how to prepare your stories. Today I’ll show you what the best digital storytellers in the world have to say about how to structure a story properly.
How to structure your stories like a pro
When it comes to creating a narrative in the most effective way, no-one knows more than the contributors to the book, who all have scores of stories under their belt. Amy O’Leary is one of them: she’s a reporter on the New York Times and has been a producer of This American Life.
For Amy, it’s all about the start.
“Don’t be afraid to confuse your audience; suck them in with one gorgeous moment and use the rest of your piece to explain what the heck it was they just saw.”
I’ve written before about those vital 10 seconds at the start of every piece – something Amy echoes on her page in the book. She’s got some great advice on other ways to hook your audience right off the bat and reel them in. Many digital stories I see suffer from a boring, irrelevant opens so it’s important to make sure that doesn’t happen to you.
So you’ve hooked them in. Now what? Poul Madsen is the founder of the Bombay Flying Club, a multimedia collective based in Denmark, but usually found in all corners of the globe. For him, it’s vital every moment of a film, article or multimedia story has drive.
“From the very first frame, everything in your story – audio and/or visual elements – must point in some direction that makes sense to your viewers. Usually this means forward!”
How to you achieve forward drive in digital storytelling? Poul goes into the details in the book. And once you’ve propelled your viewer through your story it’s time to wrap it up, and according to director Claudio Von Planta that is where resolution comes in. Claudio’s been making films for 20 years, including the hugely popular documentary The Long Way Round which followed Ewan McGregor biking through Africa. Claudio’s page is crammed with nuggets like this:
“It’s always wise to develop a human-interest angle as a secondary focus where you explore how the characters in your story deal with adversity. This approach can offer an exit if you miss the primary goal.”
Claudio also offers advice for storytellers developing investigative films, and longer feature films – all of which require a strong resolution.
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