The upside down rhino rule of great video storytelling
What does it take to make a story stick? To make the audience care enough to click “share”?
It’s not uncommon for clients to ask video producers or their PR agencies to “do them a viral”. But to even try to predict such a thing is to misunderstand its very nature.
Speaking of ‘sharing’ things around, nearly 200,000 people have shared this short film about WWF’s work transporting rhinos around South Africa. If you haven’t seen it yet, it’s worth a look, and of course it’s in the video .fu library of extraordinary video storytelling.
© Green Renaissance/WWF
You might think the way it is shot is impressive (it is), marvel at the high quality lenses used, or the style of editing. But there’s one thing this video has, that no other does, and it’s the reason it has gone viral: an upside-down rhino, flying in the air.
The ‘upside-down rhino rule’ of video storytelling
In all my days I never thought I’d ever see a rhino being suspended, upside-down, beneath a helicopter. But there you have it, right there before your very eyes.
And this is what video is for.
Video is there to take us places we’ve never been, show us things we never thought we’d get to see. It gives us access to people we’ll never get to speak to, close-ups of things our own eyes can’t see, it lets people share ideas we would never normally hear, and see what it’s like to be someone living in poverty on the opposite side of the world.
It is not there for long interviews with CEOs, or coverage of conferences, or – dare I say it – vox pops.
Tell that to all the newspapers, charities, businesses and the like jumping into the video game to churn out more of just this kind of stuff, and then wondering why no-one watches it.
The upside-down-rhino, though, means different things to different people. To a small community, seeing a politician apologise for embezzling their tax dollar, as opposed to reading about it, has the rhino-factor. So does a video tutorial in using HTML to people who need to see it to understand it.
The next time you commission, or start to make a video, ask yourself this: for your audience, will it have the equivalent of a frickkin’ upside-down rhino being suspended from a helicopter?
No? Then put the camera down and go find a story that does.